Things aren’t always what they seem. Keetje Mans proves this in her solo exhibition Shimmer of Bliss, which is part of the Bitches Brew project.

Robin de Puy, Portrait Keetje Mans for Bitches Brew, 2025. ©Bonnefanten

Keetje Mans (1979, Amsterdam) creates paintings, drawings, installations, objects and textile art. She attended the Maastricht Academy of Fine Art from 1999 to 2004 and completed a residency at the Jan van Eyck Academy from 2013 to 2014. The inspiration for her work probably began earlier, however, during trips she took to Costa Rica and Curaçao during her childhood.

Shimmer of Bliss

Mans paints directly on the canvas, without drawing a sketch first. During her creative process, she waits for a feeling to strike that she describes as ‘a leap without a landing’. Once she gets that feeling, she looks for ‘shimmers’ – small glints, brief moments of happiness – that she then uses to create her works. The ‘shimmers’ recur in all her work as recognisable shapes. Nearly all the works in the Shimmer of Bliss exhibition are new.

Keetje Mans, Overview Shimmer of Bliss in Bonnefanten, 2026. Photo Peter Cox

Photo Peter Cox


Keetje Mans, In This Ungodly Hour, 2025, oil paint on linnen, 240x220 cm. Courtesy the artist Photo Bert Janssen

Balancing act between fantasy and reality

The real world and fantasy come together in Mans’ paintings. There's a sense of mystery in the scenes depicted on the canvas: groups of people intertwined with one another, outdoor scenes where plants seem to live or domestic settings where strange things happen. At first glance, Mans’ work seems light and dreamy. Those who look more closely will see the dark, idiosyncratic and rebellious nature of her work.

Keetje Mans

You can see the world more clearly from your studio. When you have some distance and can look at it objectively, you can make more sense of life.

Nature, interiors and patterns

Anyone looking at Mans’ work will see that nature, interiors and patterns are a recurring theme. At an early age, she spent extended periods of time in Costa Rica and Curaçao with her parents. The patterned, colourful folk art and the free way of life (mostly spent outdoors) left an impression on her. In recent years, most of her inspiration has come from her life now: as part of a western middle-class family. A life full of privileges, limitations and close to nature.

Keetje Mans, Howl of the garden wall, 2025, oil paint on linnen, 250x250 cm. Courtesy the artist. Photo Bert Janssen

Photo Manor Lux


Mans' work was awarded the Hermine van Bers Visual Arts Prize (2011) and the Royal Award for Modern Painting (2012). Her work is also part of exhibitions at Museum More, Museum Jan Cunen, Framer Framed, SCHUNCK and Bonnefanten, among others.

A part of Bitches Brew

Shimmer of Bliss is part of the Bitches Brew project. This project comprises a collection of three solo exhibits by three pioneers of figurative painting: Tanja Ritterbex, Aline Thomassen and Keetje Mans.

BITCHES BREW